The princilples, theories and prctice of TAP DANCING are acquired. Beginning tappers acquire basic technique and rhythm through the use of the shuffle, flap, ball-change, hop, heel, spank and other beginning steps. Intermediate tappers continue basic technique training and focus on control, speed and smoothness while exploring syncopation and learning longer combinations and routines. Advanced tappers work in the smaller "hoofing" style or "rhythm tap", choreography. Advanced tappers sustain strong technique and polish rhythmically complicated routines, turning combinations imporvisation, and close floor work with focus on speed and clarity of sound. Students of tap at every level of tap dancing develop coordination, rhythm, strenght and stamina.
THEATRE DANCE covers the principles, theories and practice of dance styles and forms of the musical theatre including traditional jazz and funk. The experience offered is geared for all levels: Advanced Beginning, Intermediate, Advanced, and Professional. The program appropriately challenges the student at each level. Advanced Beginning students acquire technique and strength from traditional warm-ups and simple combinations. Intermediate students reinforce basic technique, and increase flexibility while exploring different styles and a variety of routines. Advanced students strive for greater extension, polish, turning ability, and heightened elevation. Top level performing students focus on many different choroegraphers and their styles, and begin to recognize dance as visual music and a continuation of character and plotline. Activities also include exploring varied time periods and musical styles. Students at every level of Theatre Dance develop coordination, flexibility, strength and endurance.
Former Blevins student Savion Glover. Blevins trained young Savion Glover for the title role in Broadways' THE TAP DANCE KID.
Acting Workshop:
Theatre workers on all levels get a stimulating workout and much practical information on the mechanics of Acting. A series of exercises for developing concentration, sensory responses, pantomime, improvisation, oral interpretation and body movement are employed throughout the process. Theatre games further challenge the actor's spontaneity and ability to be more aware of his/her own feelings, attitudes and values.
The objective of the actor's training is to develop skill in voice and body so that he/she is free to move and speak in a way that is significant, projectile and appropriate. The course touches on relaxing, stage energy, improvisation, light script analysis, body language and taking criticism - all vital elements of the actor's craft. A rich lode of essential truths for the actor so that he/she can possesses a more expressive and controlled instrument.
The 4-Week Dance Workshop feature 1 hour of Tap and 1 hour of Jazz/Theatre Dance each week. The 4-Week Acting Workshop runs 1 1/2 hours each week.
